消費(fèi)市場(chǎng)與文化（CMC）關(guān)注消費(fèi)，而市場(chǎng)則是社會(huì)行為和話語(yǔ)的場(chǎng)所。它鼓勵(lì)討論管理層和組織在社會(huì)中的作用，特別是在生產(chǎn)、消費(fèi)、殖民主義、全球化、商業(yè)績(jī)效和勞動(dòng)條件方面。將文化、媒體、性別、人類學(xué)、文學(xué)批評(píng)和消費(fèi)理論與商業(yè)和管理分析相結(jié)合，使該雜志在其范圍內(nèi)具有國(guó)際性，在其目標(biāo)上具有反傳統(tǒng)性。編輯認(rèn)為市場(chǎng)營(yíng)銷是后現(xiàn)代性的終極社會(huì)實(shí)踐，將藝術(shù)和商業(yè)融合在一起，需要不斷更新風(fēng)格、形式和形象。因此，對(duì)讀者進(jìn)行有意識(shí)的、有計(jì)劃的意義和表現(xiàn)實(shí)踐的教育，是期刊的首要目標(biāo)；二是參與對(duì)消費(fèi)和生產(chǎn)的物質(zhì)條件和意義的探究和建構(gòu)。

Consumption Markets & Culture (CMC) focuses on consumerism and the markets as the site of social behaviour and discourse. It encourages discussion of the role of management and organisations in society, especially in terms of production, consumption, colonialism, globalisation, business performance and labour conditions. Combining theories of culture, media, gender, anthropology, literary criticism, and consumption with analyses of business and management, the journal is international in its scope and iconoclastic in its aims. The editor considers marketing to be the ultimate social practice of postmodernity, blending art and commerce and requiring the constant renewal of styles, forms and images. Educating readers about the conscious and planned practice of signification and representation is, thus, the journal’s primary aim; its second is to take part in inquiring in and construction of the material conditions and meanings of consumption and production.